Horror Monsters: Jeepers Creepers (2001)

It’s a well-established fact that Jeepers Creepers is a film of two halves, one which is totally effective and creepy (pun not intended; the perfect word for Jeepers Creepers’ opening act really is: creepy) and one which is totally derivative and hokey. There’s a simple reason: Jeepers Creepers is not just a film of two halves but of two competing and diametric impulses: one is concerned with human psychology (because its purpose is to creep insidiously into audience imaginations); the other is concerned with horror monster mythology and with physical and literal horror monster details. It turns out that these impulses are not compatible.

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